Personal Text Response

The Personal Text Response format for VCE Year 11 English includes Analysis-Led and Personal-Led structures, emphasizing personal connections to the text. Students should learn to write shallow, mid, and deep personal links, plan body paragraphs using life-stage topic sentences, and understand the significance of personal experiences in relation to the text. Essay topics are broad and focus on themes like identity, encouraging students to relate their own experiences to the analysis.

Purpose

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By the end of this module, you should be able to:
  • understand what a Personal Text Response is (and why schools use it)
  • distinguish between Analysis-Led and Personal-Led structures
  • write shallow, mid, and deep personal links (with quotes)
  • plan body paragraphs using life-stage topic sentence starters

Post-Module Learnings

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Following this module, these are the skills you should have.
I can explain what a Personal Text Response is and why schools set it.
I can distinguish Analysis-Led and Personal-Led structures.
I can write shallow, mid, and deep personal links (and include quotes appropriately).
I can plan body paragraphs using life-stage topic sentence starters.

Content

Introduction to Personal Text Response

This is a new concept brought about in 2023, for students in Year 11 English 1/2, but there have been some schools that did it previously. Scotch College, for instance, has actually treated the Creative Writing piece of Year 12 English as a Personal Text Response in the past (before 2023).
The format of this essay consists of two types that your teacher could choose from, and both types are quite different from each other.
Fundamentally, you will be studying a Text in class, similar to how you do for Text Response, but the difference is while you need to incorporate analysis, there will be elements of your own personal life (can be embellished, made up or exaggerated if needed).
You can use ‘I’ in your essay, and ‘me’.
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This is most likely not going to be an examinable essay for Year 12 English 3/4.

Analysis-Led Personal Text Response

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This is probably going to be the more popular option that your teachers choose.
This is the format where the dominant part of your essay is focused on analysis of the text, interspersed briefly with references to your personal life and links.
I would say it’s probably 75% analysis, and 25% personal links.

Personal-Led Personal Text Response

This is the format where the dominant part of your essay is focused on the personal links to the text, with some analysis that bridges those gaps. This is what Scotch College previously did, but it’s falling out of favour with most schools, as they would rather have more Analysis in your Personal Text Response.
This is when you may have to write a reading journal for the text.

Key Terminology and Styles to Unpack

Types of Personal Links

There are actually three types of personal links that you can make to a piece of analysis, so naturally, each analysis you do will have a personal link to it as well. Your analysis should not be without a personal connection. That’s what separates the Personal Text Response from normal Text Response.
  1. Shallow: In this format, we normally just say, the reference in the Text reminds me of X in my own life.
    1. e.g. For The Rain Heron (by Robbie Arnott): Arnott’s connection with nature is not one that is reflective of a Romanticist perspective, yet he does portray Ren as trying to coexist amongst the … . In this manner, I reflect on how my own connection with nature is rather limited, especially living in a more suburban area away from …
  1. Mid: You can incorporate the quotes from the Text into your own experience, probably a little out of context, but still integrated within your personal experience.
    1. e.g. For The Rain Heron (by Robbie Arnott): In the midst of chaos, Arnott unveils the “floating storm of colour” that reinvigorates Lieutenant Harker’s desire to protect and safeguard, over the more masculine discipline and rigour she previously holds as a mantra. Despite her twisted past, the sense of imagery and colour that replaces the monochromatic darkness of the previous storms, I feel a longing for the similar “storm of colour” in my own life, as the monotony and repetition of education and high school years can be draining. Perhaps the “flickering colour” I seek, the tinge of hope that Harker herself longs for, is finding a sport that I enjoy, an extracurricular activity that brings out the more soft, non-masculine values of teamwork, friendship and interdependency. For me, volleyball is the colour that “spr[ings] to life” when …
  1. Deep: When you reflect on how the protagonist (or a character in the text) would view you, it’s a more empathetical approach when you consider how you may connect or link with the protagonist or another character.
    1. e.g. (Character-viewing-you technique) For The Rain Heron (by Robbie Arnott): With the monastic faith of a dedicated monk, Ren spends “five years”, a symbol of her endurance against the “starvation [that] nearly killed her”, in the mountains, as Arnott depicts the escapism she finds away from the expectations of life in the “big city”. In her eyes, “all her preparations” from an academic landscape seem to fail her in the midst of the natural world, reliant on her own independence and the seeming ounce of nourishment in the metaphorical “cave”, an isolated shelter, that nurtures her survival. In her “malnutritious state”, I often wonder what she would consider me to be, a young male who has never needed to “forage for mushrooms”, who feigns ignorance towards “simple precedent” found in nature and prefers the complexity of academic life. I would probably be an abomination, not in the sense that I am flawed, but rather she would see that children in the big city, like me, would be heading towards a path of soulless fulfilment, that capitalist ideal and expectations of masculinity she tries so hard to avoid.
    2. e.g. (Alternative deep approach: theme-level empathy) In The Rain Heron, Robbie Arnott explores the idea of adaptability and growth, especially when confronted with the pressures of modern living. As a Year 11 high school student in suburban Melbourne, I can relate to those same pressures on a deeply personal level. The protagonist, Ren, must learn to adapt to challenging environments in nature, while likewise, I struggle to find balance between academics and extracurricular activities. Ren's strength to accept her "small space in the universe" in the face of adversity resonates with my experience of striving to accept my growing responsibilities and the pressures placed on us by an increasingly fragmented society. Just as Ren adapts to her new life, so too do I aim to discover new ways of navigating the complexities of school life in preparation for my future. While Ren's journey takes place in the wild landscape, my own journey unfolds against a backdrop of school deadlines, sporting events, and thoughts of the life that lies ahead.
    3. e.g. (Alternative deep approach: identity + values alignment) Arnott delves into in The Rain Heron is the importance of challenging societal norms and finding one's identity in a rapidly changing world. Growing up in Melbourne's suburbs, I often find myself stifled by the confines of conventional expectations and the pursuit of traditional ideals. Ren's journey of self-discovery reflects my own process of questioning the societal norms that can sometimes hinder our growth. Despite Ren's initial reluctance to leave the familiar behind, she ultimately finds solace in the act of breaking away from societal constraints and discovering her true identity. This same struggle often plagues me in my day-to-day life, as I grapple with the expectations placed on me by mainstream education, my parents, and my peers. Like Ren, I strive to cultivate meaning and identity in an environment that might sometimes prioritise social conformity over personal growth. The Rain Heron acts as both a mirror and a lens, urging exploration of my own path as I manoeuvre my way through the challenges of adolescence in today's world.
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You will include quotes in all three, it’s just about how integrated the quotes are which separate the shallow, mid and deep. The deep has more analysis in terms of connecting your own experience with the actual character.

Essay Topics

Essay Topics for Personal Text Response tend to be really broad and easy, they’re not technically there to just test your analysis, but how much you can relate the analysis to your own personal connections.
They are based on themes of the text, generally the ones that your school teacher will cover, and there should only be three or four themes max, fundamentally no more than that.
E.g. Identity is often shaped by one’s personal experience.
So naturally in this one, identity is the theme, and then you would draw connections with the text itself.

Body Paragraph Topic Sentences

BP1 — Younger Life / Early Childhood
  • From a young age, my perception of … was shaped by the environment I grew up in, a sentiment that [Author] captures through [Character]'s early encounters with …
  • Looking back on my past, I recognise how deeply … influenced my understanding of … , paralleling the way [Author] presents [Character]'s initial exposure to …
  • The innocence of my childhood, where … seemed so certain, mirrors the naivety [Author] attributes to [Character] before …
  • Growing up surrounded by … , I developed an instinctive sense of … that [Author] similarly instils in [Character] through …
BP2 — Middle Life / Early Teenage Years
  • It was during my transition into adolescence that I began to question … , a disillusionment [Author] traces through [Character]'s own confrontation with …
  • The shift from childhood certainty to teenage uncertainty reshaped my views on … , much as [Author] depicts [Character]'s evolving relationship with …
  • As I entered my teenage years, the expectations of … began to weigh on me, reflecting [Author]'s exploration of … through [Character]'s struggle to …
  • In the turbulence of my early high school years, I came to realise that … , an awareness that [Author] cultivates in [Character] through the symbolism of …
BP3 — Current Life / Present Day
  • Standing at the threshold of adulthood, I now grapple with … , a tension [Author] crystallises through [Character]'s ultimate reckoning with …
  • As I confront the demands of … and the looming pressures of … , [Author]'s depiction of … resonates with my own attempt to reconcile …
  • Today, my understanding of … has matured, shaped by experiences that echo [Author]'s portrayal of [Character]'s journey towards …
  • In my present life, the lessons of … have come full circle, and I find [Author]'s message about … to be a reflection of my own growing awareness that …